Reporter Flock creates an intimate portrait of three marriages in her first book. Following two Hindu couples and a Muslim couple living in India's largest city, Mumbai, for more than a decade, Flock captures both the life-changing events and the daily minutiae that make up romantic and domestic partnerships. Because Flock goes deep, rather than broad, in exploring the various customs of marriage and parenthood in India, she makes readers feel as though they are peering through a window into these couples' lives. Arranged marriages, anxieties over sex, and struggles with fertility are all on display here; Flock writes about these sensitive topics with generosity and empathy in this beautifully rendered, intricate, and human exploration of love and marriage in Mumbai. VERDICT All readers interested in Southeast Asian culture, as well as scholars of anthropology, sociology, and other social sciences will be fascinated with this accessible account.—Jennifer Stout, Virginia Commonwealth Univ. Lib., Richmond

Journalist Flock invites readers into the homes, lives, and marriages of three couples—one Marwari Hindu, one Sunni Muslim, and one Tamil Brahmin Hindu—living in Mumbai in this multifaceted portrait of love and marriage in modern India. Layered with history and glimpses of the varied cultures compressed into one vivacious city, the book pays as much attention to the lives of its subjects as it does to that which binds them together: the rituals of courtship and intricacies of marriage law, religious observances and festivals, and changing conventions that are seeing more couples choosing to live apart from their families and more women choosing to work outside of the home. Flock finds people trying to find happiness within the slipknot of tradition, longing for film-style romance within their arranged marriages, and searching peace with their lives inside a city and a country undergoing rapid population growth, Western influence, and rising far-right sentiment. There's Ashok and Parvati, who get to know one another while planning a wedding (their courtship was arranged by their parents using an online matchmaking service); Shazhad and Sabeena, whose failure to conceive leads them to a more liberal practice of Islam (Sunni law doesn't recognize adoption); and Maya and Veer, career-oriented individuals who deal with infidelity and Maya's need for independence. Flock approaches the histories, hopes, dreams, and disappointments of her middle- and upper-middle-class couples as a reporter, not a storyteller, and the book is better for it, steering clear of caricature and sentiment, and letting each of her subjects emerge in the details of his or her own circumstances. Ostensibly a study of marriage as experienced by the people in it, Flock's book also provides a vivid portrait of a nation in transition, through the lives and desires of its most progressive city's residents. (Feb.)